Almost 30 years later before Eskorbuto, when its names was one of the most famous graffitis in Bilbao and the band became one of the most well-knwon in all country, this biography is published. During this time, in adition to the history of the group and after the deaths of

Iosu and Jualma, its name is already known in countries like Japan, USA, southamerica and Europe. People wants to know the facts, read the interviews, learn the opinions and see the images; and all of this is present in this titanic work by a sincere fan of the band. After all this time, no one could ever imagine Eskorbuto's ideas and history would have been so well known and go so far. Looking at its discography, everybody can discover its songs are in complete actuality. This book tells about the most savage side, rage and crude of this country's punk music.

It was 40 years ago -- more or less -- that a 22year-old broadcast journalist from Florida was invited by manager Brian Epstein to travel with the Beatles to every stop on their first North American tours. The only American reporter in the official

press party, Larry Kane obtained exclusive, revealing interviews with John, Paul, George, and Ringo. Fortunately, Kane saved his original notes and tapes, and shares them here for the first time. That material provides the basis for his intimate look back at the phenomenon of the Fab Four, and insights into the humor and personality of each group member.

"Too rough to die" tells the story of a group that in Spin's Marc Spitz words "Were like sharks: never evolutionated. Never needed to". That was said when The Ramones were choosed as the second most important band in history, just after

the Beatles. For almost ten years (from 1987 to 1996) the writer, journalist and rock crític Marcelo Gobello maintained regular contact with the band, even being a guest in Ramones' NY homes. This is the story of one of the most heritaged punk rock bands.

This is the definitive spanish biography about the most influential american band ever. With testimonies of Roger McGuinn, Chris Hillman and John Cork, as well as manager and producer Jim Dickson and many artists and musicians related

to The Byrds. Writer Fernando López Chaurri, analizes the hard story of the band and its musical heritage examining every period, from before the foundation of the band to its split. We are in front of an esential work, not only for the followers of the band, but also for everyone who would like to discover what the 1960s meant for contemporary culture.

This is a book plenty of good intentions. Jaime Gonzalo (founder of famous spanish music magazine Ruta 66) shots a high period in the transition in Spain, when Rock meant modernity. La Trapera was the main band in the years of rubbish and

hope, with its crude rock and no hesitates in the words of its songs. A good amount of photographs by Salvador Costa and texts by Jaime Gonzalo show how was the spanish underground movement in the 1970s. It contains exclusive interviews with the stars of this story.

This is a very useful tool to known and do not fall in the tramp of discographic contracts, publishing stuff, management, image rights cession and performing environment. You will learn here the step by step process to found

a music label, submit a song to the Intelectual Property Registration and other rights safe companies and organizations. This book also contains a file CD with directories of concert halls, managers, labels, promotors, gig agencies, etc. Its writer is a music-lawyer who also shows practical files with the most common troubles he has suffered during his career.

This book tells the musical adventures of Manolito before being Nino Bravo, during the 1960s decade with los Hispánicos musical group. A particular document to lern the begginings of Nino Bravo from one of the founders of his band, Boro Aranda.

Aranda says most of the biographies already published about Nino Bravo are incomplete and filled with false testimonies. No real information inside them. The same with the official website of the singer, were under a picture of Nino Bravo, the legends says 'Los Hispánicos'. The author of this book denies this. He lived the artistic grown of Nino Bravo, although for him he will always be Manolito, partner and friend. Excellent book for any fan of the 1960s groups.

Features over 1,500 gigs, including set-lists, eye-witness accounts and background notes, backstage dramas, audience reactions, and on-stage rants. Now updated and amended to include all the concerts of

the American tour of 2002 that was overshadowed by the sudden death of John Entwistle. With a foreword by Pete Townshend and contributions by leading Who commentators.

John Henry "Bonzo" Bonham was the godfather of hard rock drumming - and he remains an idol to legions of Led Zeppelin and heavy metal fans worldwide. Although Bonham had to be courted away from more lucrative offers, he joined

the newly formed band in 1968, helping guitarist Jimmy Page and vocalist Robert Plant create such famous songs as "Stairway to Heaven" and "Kashmir" until his sudden death in 1980 at the age of 32. His unmistakable drum patterns are among the most emulated and sampled by today's rock drummers. This book is the first biography focusing on Bonham, providing a detailed track-by-track analysis of his greatest recordings, 45 color photos, and the most detailed and accurate inventory ever of Bonham's drum kits and percussion equipment.

This is an authorized and definitive account of rock music's most influential band, which included Eric Clapton, Jeff Beck and Jimmy Page during its lifespan. Members of The Yardbirds went on to play with John Mayall's

Bluesbreakers, Cream, Led Zeppelin and Renaissance. In addition to the entire history of The Yardbirds, this book gives full accounts of each member's activities to the present.

Davies's tale of drunkenness and cruelty on the road with the Kinks, the British rock band he and his older brother Ray formed in 1963, perfectly mirrors the band's own trajectory. The first several chapters (years) breeze along with stylish

energy, but in time the compelling passage (hits) dry up and the book (band) loses its way. Released a year after Ray's own memoir, X-Ray, this autobiography showcases his long-overshadowed brother's own sharp eye for characters, while giving him a forum to claim credit for the band's signature guitar sound (as on "You Really Got Me"), and for this or that riff or idea. Davies recalls the paradigmatic rock star's life: rampant alcohol use; hanging out with Lennon, Hendrix and groupies; drug-fueled hotel trashings; bisexual encounters (with names named); wanton adultery; and the usual lamentations on greedy management types. Davies's notoriously violent relationship with his brother is fully explored, but recollections of never-famous people significant to the author prove equally engrossing. In dealing with the band's later years, however, Davies proves less interesting. Although the Kinks sporadically charted in the 1970s and '80s, Americans tuned them out after 1982?a reality Davies blames on record executives. His mystical spirituality also proves tough to swallow ("The intelligences poured a brilliant beam of white light through my forehead and out to the crowd"). Ultimately, readers of this Kinks chronicle must employ the same selectivity they've shown in consuming the band's music. Photos; discography.

Fact is separated from fiction in this unique study of the Beatles, as myths are debunked and commonly held beliefs about the Fab Four are proven false. Popular convictions that John Lennon was a working-class hero, that Lennon and

McCartney never recorded again after the Abbey Road sessions in 1970, and that Paul McCartney's original title for "Yesterday" was "Scrambled Eggs" are proven to be rumors at best and lies at worst. Drawn from interviews with long-term associates of the band as well as other lines of investigation, this is a unique testimony to the way history gets rewritten, exaggerated, and warped.

Definitive biography of the band behind hits like trans-Atlantic #1 "House of the Rising Sun" that briefly rivalled the Beatles and Stones for popularity, before relocating to San Francisco and re-emerging as a hitmaking Acid Rock band.

Hours of new interviews contribute to this gripping portrait of a hugely talented group of musicians who never quite fulfilled their potential.

Los Salvajes y yo tells for the first time the history of Los Salvajes, the quintet that were the complete music rival to Los Brincos from 1965 to 1968. If this was our own Beatles, Los Salvajes were our Who and our Rolling Stones at the

same time. Since they listened to the new british music in Germany during 1964 and 1965, this catalan group started to develop an own new and fresh sound that everybody thought they were recording in London. Close to the mod fashion and attitude, Los Salvajes conquered a lot of spanish youth from mid 60s and obtained huge success in countries like France and Venezuela, selling thousands of copies of every EP recorded and eventually gaining a Golden Record in 1967. Everything keeping with its original misconception, very close to the most hard and underground new british wave. Gaby Alegret Ramallo, founder and singer of Los Salvajes, tells all the details of the history with a good sense of humor, the history of one of the best spanish pop bands from the 60s.

Leonard Cohen tells us about his most favorite themes- sex, god, death, love, religion, politics-, with a closing that only the friendship with the author of the book can permit, his own translator in Spain, Alberto Manzano.

A long biographical essay, with a complete discography, the songs of his two late albums completely translated into spanish and a hundred of biographical notes about the most important characters in his life and career into a very special book that also includes a very nice and huge image collection.

Peter Hammill & Van Der Graaf Generator (1967-2006) is a telling of his career, life and thoughts by the rock critic and writer Marcelo Gobello, after many chatings, interviews and moments with Hammill since

1992 to the present, showing more than three studio decades of his career with VDGG and by himself. The starting point of the book is an exclusive essay by Peter Hammill to his spanish fans, plenty of unknown graphic stuff. A complete analysis of the brilliant career of one of the most famous songwriters and singers from England, since his days with Van Der Graaf Generator (mid 60s) to nowadays.

¿Llegaré a esa nota? is a seven year investigation studio about the voice development of the greatest Hard Rock singers. Perhaps the one and only book that exists nowadays where worldwide famous singers with millions of records already sold,

talk about their own work from a technical and artistical point of view, not commercial. With an almost scientific structure, but easyly understable for the public, the author analyzes the morphological changes at the vocal organ, after a whole life devoted to the Rock, recording experiencies, voice maintenance in tours, technic secrets and evolution of this art form in the nowadays record industry. An amazing studio about everything you ever wanted to know when listening to these great Rock singers, but nobody answered.

• Miguel Asturias
• Joan Boix
• Juan Manuel Escrihuela
• Angel Ferris & Nuria Fontanet
• César Fuentes Rodríguez
• Marc Gras
• Jagoba / Sergi / Javi
• Marc Milà Hernández
• Jordi Pastor
• Jordi Pla
• Julián Sánchez
• Daniel Serrano